Woman and Funeral Pyre

“Terracotta lid of a sarcophagus showing a corpse being carried to the pyre; found near Torre dei Conti (near Rome). 3rd century CE Rome: Capitoline Museum. Credits: Ann Raia, 2005” Source.

The representation of the woman (behind?) The pyre reminded me of representations of the Tarpeia.

Slightly higher res detail from arachne.dainst.org/entity/1215685. Identified there as representing Meleager Myth and dated late 2nd Cent. CE.

Evil Eye Gem(s?)

Thinking about the evil eye in Roman culture for some lesson planning last night and this am. I came across these two impressions of ancient intaglios. One is said to have been taken in the 18th century in the Florentine Museum. The other is reported as taken from the Sammlung Stosch, W Cl VII 0127 = Staatliche Museen, Antikensammlung Berlin, Berlin, Deutschland, Inv.-Nr. FG 9722. The Florentine is said to be cut from the root of emerald. The Berlin intaglio is catalogued as a glass paste. Was the Berlin glasspaste made from the Florentine gem? Is the Florentine intaglio really another glass paste (I’m not sure what root of emerald means) made from the same mold as the Berlin example? Were glass pastes ever made as ‘fakes’ in the early modern period? Could the Berlin version be such?

Beazley archive image
Arachne image

A round up other evil eye iconography:

https://sarahemilybond.files.wordpress.com/2015/07/5105670024_aa06ccb4b7_z.jpg
Mosaic from the House of the Evil Eye, Antioch, Syria. Via Sarah Bond’s Blog.
Detail of mosaic in Capitoline Museum found in Villa Casali (1889) inscribed: INTRANTIBUS HIC DEOS PROPITIOS ET BASILIC(AE) HILARIANAE. Arachne entry.
“An #apotropaic carving, Leptis Magna, Libya. A potent protective image: a centaur with a large phallus, phallic nose and trident, aided by a bird, snake and scorpion, attacks an ‘evil eye’. The meaning of MAL ER is debated” via Twitter. The Arachne entry says it is from the theatre at Homs, Libya.
Another example from Leptis Magna. Arachne entry.

Not a “brothel sign” but another example of an apotropaic carving from Leptis Magna.

Pendant in John Hopkins Museum. CF. BM 1814,0704.1172.
From Farone 2013
From Same.
Also called the Woburn relief and said to be in Woburn Abbey collection. From Same.

Nora Hoard – a possible votive deposit of Romano-Campanan coins from Sardinia

Deposited c. 230-225 BCE

Just reading Gorini’s admirable write up! V nice to have an archaeological context! I agree with his historical framing and lean strongly to his interpretation of it as possibly votive but not likely constitutionally foundational in anyway.

Giovanni Gorini’s A new hoard of Romano-Campanian coins from Nora (Sardinia) , in Studies in ancient coinage in honour of Andrew Burnett, R.Bland, D.Calomino eds. London 2015, pp. 31- 40

Note to self: Discussed in Jaia and Molinari 2020/2021 “The Carbognano Hoard” citing

Bonetto J., Falezza G. 2009, Scenari di romanizzazione a Nora: un deposito di fondazione e un deposito votivo per la costituzione della Provincia Sardinia et Corsica, «Sardinia Corsica et Baleares Antiquae», VII, 81-100.

Hair Grabbing Iconography

“Bronze mirror cover (16.2 cm diameter) showing a Greek warrior and a fallen Amazon, perhaps intended as Achilles and Penthesilea: ca. 375 BC. Provenance lacking prior to 1898. Image: State Hermitage Museum (ГР-7245)” via Twitter.

Earlier precedent for iconography seen in the Claudius and Britannia relief from Aphrodisias:

Any one want to remind me of coins with hair grabbing scenes?

Potentially relevant bibliography on hair grabbing (thx to Dr. Draycott for bringing to my attn!):

Aldhouse-Green, M. J. 2004. Crowning glories: languages of hair in later prehistoric Europe. Proceedings of the Prehistoric Society 70 (Decemb), pp. 299-325.

Aldhouse‐Green, M. (2004), Chaining and shaming: images of defeat, from Llyn Cerrig Bach to Sarmitzegetusa. Oxford Journal of Archaeology, 23: 319-340. doi:10.1111/j.1468-0092.2004.00214.x

Who loves voting lines?! THE ROMANS!

Why? Control! Security! Block voting! Secret Ballot!

Who doesn’t love lining up under the elements? In all weathers?!

It’s gonna be great!

Let’s make those lines extra narrow and have very limited space inside the voting area!!!

The best thing to read on this is behind a paywall and in French by an Italian. So if you want the quick and dirty version –Really, the: “I should be grading version or developing course materials or answering emails version”–this is it.

[Update: also see Rafferty, David. “Rural voters in Roman elections.” TAPA 151, no. 1 (2021): 127-153.]

Romans voted in blocks and there was no such thing as an absentee or proxy vote or multiple polling spaces. What do I mean by a block? It is kind of like the US electoral college: every one in the block who choses to vote and manages to do so (in our case States, in the Roman case “tribes” or “centuries”) votes and then bases on simple majority the block vote is given its totality toward one candidate or one decision (yes/no in the case of legislation, guilty/not guilt for trials). As I’m fond of reminding you, elitist Greeks at the end of the republic thought this was a very clever way of making sure the poor (suckers) ‘thought’ their vote counted.

So if all those blocks voted simultaneously (or near simultaneously) the Romans needed to make sure each voter gets sorted in to the right group. I’m reminded about how hard it was to find my right polling station within my polling location back in Brooklyn.

At least by the mid-2nd century BCE (but probably much earlier) the Romans has worked out a system they called the saepta (enclosure) or olivia (the sheep pens–great analogy right?!).

We know this because of the archaeological remains of Fregellae (Latin colony from 328 BCE, rebelled and destroyed 125 BCE). The form was designed to allow for long (hot, cold, wet, slow, miserable, sociable, crowded) lines.

Image from Coarelli 2001.

Rome had something similar. Long before Julius Caesar co-opted the project as his own, plans to monumentalize the voting pens were underway in late republic.

For in the Campus Martius we are about to erect voting places for the saepta tributis, of marble and covered, and to surround them with a lofty colonnade a mile in circumference: at the same time the Villa Publica will also be connected with these erections. You will say: “What good will this monument do me?” But why should we trouble ourselves about that?

Cicero writing to Atticus, 1 July 54 BCE, translation modified from Shuckburgh

The voting pens are visible on the fragments of the Severan marble plan. Darker areas are those for which parts of the marble plan survive.

I include a modern map for human scale, particularly for those who are used to walking this landscape.

Yellow marks basic area covered by the Saepta.

Putting colonnades around ensured that both sight lines and access points to the voting area were highly restricted. Who got in and out was easily policed. Inside the voting area for officials might be covered but the area in which those waiting to vote after being sorted by block was not. Again environmental factors and press of people could be significant including waiting.

The area is huge you will say, massive. More than enough, surely?! So the estimated area (v rough–I just used Google earth) is about 3.51 hectares = .04 sq km = 378,205 sq feet = 8.68 acres. The perimeter is about 875 meters or 2874 feet or 958 yards, so about 2/3s of an imperial Roman mile, but not really that far off Cicero’s 1000 paces. An American football field is 57,600 square feet (5,350 m2). So the Saepta was nearly 6.5 football fields. VAST!

If you allow 2ftx2ft per person (tight!) 14,400 people fit on an American football field or 94,551 in our (over) estimated Saepta, but with all the equipment and crowd control that seems far far too high.

How many Romans were eligible to vote? We’re told that in 70 BCE maybe 910,000 individuals. In 28 BCE 4,063,000?! (See Wiseman 1969).

So we could generalize that the built structure in Rome was intended to accommodate less than 10% of the eligible voters, probably much less than 5%.

What about the logistics of time in this space?

Cicero calls it the tribal Saepta so let’s guess that individuals lined up by tribe or that the basic built structure of the barriers allowed for this. That would mean at least 35 rows. These rows must have been less than 10 feet wide, probably a lot less.

Perhaps these rows were divided again by senior and junior members? So less than 5 feet wide?

So you get in line. The number of people in line ahead of you effects waiting time as do the time it takes for them to vote.

Voting scene on RRC 292/1

Every voter has to mount the voting bridge, get a ballot, mark their ballot, cross bridge, deposit the ballot in the urn and walk off the bridge. 30 seconds? Just a guess. That would be 120 voters per tribe per hours. Maybe if two lines per tribe 240 votes per hour.

There are about 15 hours of daylight in Rome in summer. So maybe enough time for 126,000 citizen to vote, but that seems far too high.

And that is A LOT of waiting in line.

But somebody must have been policing the order in which everyone got in line for elections because the centuries within each tribe needed to vote in order. So that had to increase waiting time for those lower in the centuries.

Of course tribal distribution was not even. Urban tribes would have longer lines than rural tribes.

Time is a luxury. Standing around all day to vote costs for those living at the subsistence level.

Oh and you might end up in the middle of riot at Rome as you’re standing in line to vote. That was pretty typical in the last decade or so.


For a more serious view of all this, see the work of Lily Ross Taylor (a personal hero of mine)

Not a Curule Chair

Detail of silver cup found in Pyramid Beg. N 2 Meroë, MFA 24.971
Rollout of the same.

It is the subsellium NOT a sella curulis (curule chair). This means the individual does not hold imperium, so not (pro) consul or (pro) praetor BUT quaestor or tribune (republican period) or possibly Praefect. (The MFA catalogue at time of writing calls it a curule chair hence my assertion.)

My three questions for you! What is in the basket? What is in the man with the axe’s right hand? What is that pile of blocks behind the tribunal and the man with the hood?

Updated shortly after original post as my brain started to work in earnest on the problem:

The sight lines suggest the damage to the cup might be an intentional erasure OR reconstruction that obscures and critical narrative element. I’ve used orange irregular mark to indicate approximate size and dimensions that would capture every one’s attention appropriately for the scene.

Dude with an axe is holding it in his left hand. He’s not about to execute anyone, but if we compare to other sacrifice scenes he’s not unlike the figure leading the bull to sacrifice it’s just that the collar is empty. Has the silver been over cleaned? Repaired?

The other figures don’t look like they are all dressed up for a sacrifice or festival (no crowns etc…) but maybe. Notice the ‘purse’ like object around the other dude’s wrist. Has he set down the object on top of an “altar”? Some sort of mallet maybe?

Another one of my working theories is that besides sacrifice this may be scene of liberalitas, as humble individuals are also in such scenes:

Arch of Constantine detail, note presence of children and that far right figure on lowest register is not togate
from the same, but notice what numismatists call ‘account boards’ basically a scoop to make sure each person gets the same amount of coins
the emperor’s money board is the biggest
Coin with personification of liberalitas. Notice money board as attribute and dude holding toga open.

So the top rectangle in the rectangular snow man could be a one of these money scoops on top of a money box on top of a table.

This might make the basket one full of bread being distributed as part of largesse. I can find images of bread baskets, but none just this shape and no images of bread as part of ritual handouts for all we know it happened. The closest I can get is this synagogue mosaic:

Mosaic of Round Basket with Bread