Two men of praetorian rank were on the panel—Domitius Calvinus, who voted for acquittal so openly that everybody could see; and Cato, who, as soon as the voting tablets had been counted, withdrew from the ring of people, and was the first to tell Pompey the news.
duo praetorii sederunt, Domitius Calvinus (is aperte absolvit ut omnes viderent) et Cato (is diribitis tabellis de circulo se subduxit et Pompeio primus nuntiavit).
In my book there is a whole section in chapter 4 on the secret ballot and voting tablets on coins. Those used in the law courts had two choices: A(bsolvo) or C(ondemno), ‘I absolve’ or ‘I condemn’, or L(ibero) or D(amno), ‘I free’ or ‘I sentence’. What I like about the above passage is that it nicely shows how followers of Pompey the would be autocrat are undermining the anonymity of the ballot to show their partisanship AND that Cicero’s words help confirm the interpretation of what we see on ballots on at least one coin (RRC 428/2) dating to just the year before.
This post relates to the content of the previous one as well.
I can’t help but think of the coins of Brutus and Pompeius Rufus and how they seem to respond if not to this specific rumor to the same desires and fears. This interpretation of the iconography is not new, and I’d even go so far as to call it, well established. I just wanted to note the further support offered by this quote for the contemporary political climate.
But you must see that the Republic, the senate, the law courts are mere ciphers, and that not one of us has any constitutional position at all.
sed vides nullam esse rem publicam, nullum senatum, nulla iudicia, nullam in ullo nostrum dignitatem.
Again Shuckburgh is beautiful in his rendering; “Clearly the Republic has nothing, when that one man has everything.”
The business has been put off: the comitia postponed and postponed, till we may expect an interregnum. The rumor of a dictator is not pleasing to good men; for myself, I like still less what they say. But the proposal, as a whole, is looked upon with fear, and grows cold. Pompey says outright that he doesn’t wish it: to me previously he used not personally to deny the wish. … There is nothing else being talked about in politics just now; at any rate, nothing else is being done.
res prolatae ; ad interregnum comitia adducta. rumor dictatoris iniucundus bonis, mihi etiam magis quae loquuntur. sed tota res et timetur et refrigescit. Pompeius plane se negat velle ; antea mihi ipse non negabat … aliud hoc tempore de re publica nihil loquebantur; agebatur quidem certe nihil.
…Milo is alarmed at this, and no wonder, and almost gives up hope if Pompey is created dictator. If he assists anyone who vetoes the dictatorship by his troop and bodyguard, he fears he may excite Pompey’s enmity: if he doesn’t do so, he fears the proposal may be carried by force.
...hoc horret Milo, nec iniuria et, si ille dictator factus sit, paene diffidit. intercessorem dictaturae si iuverit manu et praesidio suo, Pompeium metuit inimicum ; si non iuverit, timet ne per vim perferatur.
Cic. Q.fr. 3.8; Nov 54 [I’ve adapted Shuckburgh word choices this time]
I can see that our friend Messalla will be consul, if by means of an interrex, without judgement, if by that of a dictator, without danger. He is not disliked by anyone. … En passant: nothing has, after all, been done as yet about a dictatorship. Pompey is absent; Appius schemes; Hirrus is paving the way: many may be counted on to intervene: the people are indifferent: the leading men [principes] disinclined to it: I keep quiet.
video Messalam nostrum consulem, si per interregem, sine iudicio, si per dictatorem, tamen sine periculo. odi nihil habet. … ἐν παρέργῳ de dictatore tamen actum adhuc nihil est.Pompeius abest, Appius to miscet, Hirrus parat, multi intercessores numerantur, populus non curat, principes nolunt, ego quiesco.
Just more overlap between my Dionysius bibliographical research and my love of coins.
Mura Sommella, Anna. “Un frontone di età arcaica per il tempio di Giove Capitolino.” Atti della Pontificia Accademia Romana di Archeologia. Serie III, Rendiconti 89 (2016-2017): 277-298.
Abstract: The late Republican denarius of « Petillius Capitolinus », issued by the mint of Rome in 43 BC. C., confirms what is described in D. H. 1, 4, 61, 4 regarding the appearance of the Temple of Capitoline Jupiter after the destruction of the Sullan period (rebuilt identical to the original archaic building in terms of dimensions and decorative apparatus) and allows to identify in the pedimental space the presence of the Gorgon in the race on his knees, an image interpreted as a celebration of the origin of the Tarquini, who claimed to belong to the Corinthian lineage of the Bacchiadi.
Kaderka, Karolina and Tucci, Pier Luigi. “The Capitoline Temple of Jupiter: the best, the greatest, but not colossal.” Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung = Bullettino dell’Istituto Archeologico Germanico, Sezione Romana 127 (2021): 146-187. Doi: 10.34780/09q1-1e01
This morning I’m trying to catch up on my historiographical bibliography on Dionysius of Halicarnassus. [I look away for a couple of years and my friends and colleagues go and publish a mountain of stuff without telling me!]So this is just to get this bit of cross over numismatic bibliography on file.
Zanin, Manfredi. “« Servilia familia inlustris in fastis » : dubbi e certezze sulla prosopografia dei « Servilii Gemini » e « Vatiae » tra III e I secolo a. C.” Tyche 34 (2019): 221-236. [ download link]
Abstract: Despite some progress, it is still not possible to reconstruct the genealogy of the Servilii Gemini / Vatiae down to the last detail. The prosopographic hypotheses presented here are possible starting points for further considerations. Using Greek and Latin inscriptions as well as literary (including Dionys von Halikarnass, Pliny the Elder and Cicero) and numismatic evidence (including RRC 239).
This in turn led to some scholarship on this odd bit of Pliny turning up in my search results
Viglietti, C. “The Servilian triens reconsidered.” I Quaderni del Ramo d’Oro on line (2012): 177-202. [download link]
And, it’s not even a product of the Roman mint but rather of Luceria (HNItaly 668 = Vecchi 333 = Haberlin 196 no. 2 Pl. 72.16). For good context see Termeer 2019. The iconography is likely borrowed from RRC 15/1, BUT we should bear in mind that earlier the same types were used by Arpi (HNItaly 633 = Yarrow 2021: fig. 3.1). Arpi is very close neighbor of Luceria.
The best known specimen is that in Berlin (below) once owned by Haeberlin, but the letter formations are slightly different (notice the R on the bottom left). It weighs 326.40g, almost exactly a Roman pound.
This is HN Italy 359 = Vecchi 276 = Haberlin, pp. 157-158. A favorite of mine. This specimen from Hirsch 1914 gets a blog posting because of its heavy weight, 172.40 gm. Vecchi notes a weight range of 167.96-118.20g and this exceeds that. Maybe I’ll have to do a histogram of the known weights for myself one day soon, but not today. I got to Hirsch from Sydenham 1926
I’m sitting in the ANS library post lecture and allowing myself a little time with the Belloni 1960 catalogue.
The RRC 4/1 bar has really weird edges. I’m trying to think how the could have occurred. Some pits and holes are common enough, but the number and the gathering of them at the edges seems v strange indeed. Did it come out of the mold like this? Is this the resule of deposition. Note that on the eagle side there is a significant straight/smooth edge on the right. I notice that the BM bar is broken or rough on the left side as well with the right edge smoother than the other sides. My current thought is that this was cast single entry with that smooth right edge being opposite the entry point of the molten metal.
The coins below are also in the Schaefer archive but I wanted to to have the full plates as well.
The above moneyer (striking as Curule Aedile in 58 BCE), M. Aemilius Scaurus tries to inflate his claims to conquest on his coinage celebrating the ‘surrender’ of Aretas of Nabataea. I don’t know why but of all the Romans of this period I find him particularly irritating but then so do many of our sources. Anyway today I learned that rather un surprisingly he made the people of Tyre set up a statue to him. The inscription is now in the Louvre.
Aemilius Lepidus, puer etiam tum, progressus in aciem, hostem interemit, civem servavit. cuius tam memorabilis operis index est in Capitolio statua bullata et incincta praetexta senatus consulto posita: iniquum enim putavit eum honori nondum tempestivum videri qui iam virtuti maturus fuisset. praecucurrit igitur Lepidus aetatis stabilimentum fortiter faciendi celeritate, duplicemque laudem e proelio rettulit, cuius eum vix spectatorem anni esse patiebantur: arma enim infesta et destricti gladii et discursus telorum et adventantis equitatus fragor et concurrentium exercituum impetus iuvenibus quoque aliquantum terroris incutit, inter quae gentis Aemiliae pueritia coronam mereri, spolia rapere valuit.
While still a boy, Aemilius Lepidus went into battle, killed a foeman, and saved a fellow countryman. As a token of so memorable an exploit, a statue was placed on the Capitol by decree of the senate with a locket, enveloped in a boy’s gown. For they thought it unfair that one who had already shown himself mature for valour should be held unripe for honour. So Lepidus ran ahead of the firming that comes with age by his precocious gallantry and brought double glory back from a battle which his years would scarce allow him to watch. For hostile arms, drawn swords, darts flying here and there, the noise of advancing cavalry, the violence of conflicting armies strike some terror even into grown men. Amid it all the boyhood of the Aemilian clan could win a crown and seize a spoil. (Val. Max. 3.1.1)
I think the ID of the reverse of RRC 419/1 is correctly identified as this statue, but I wanted to note the visual representation differs from the literary text. No trophy, different costume. Above is clearly appropriate military garb, not the clothes of a male citizen child.
I’m here posting this as I think there is a chance that this statue is the same one shown much earlier by M’. Aemilius Lepidus c. 111 BCE (RRC 291/1).
I got here because of how similar the obverses are, both unidentified goddesses with both crown and laurel wreath and that they are made by members of the same branch of the same gens and both have statues on the back.
Crawford has the moneyer as the father of the consul of 66 BCE and the son of the consul of 126 BCE BUT we don’t know how the family tree goes back after. Who is the father of the consul of 126 BCE? Is it the consul of 158 BCE? Is it the son of the consul of 187 BCE who was military tribune in 190 BCE? How many kids did the consul of 187 BCE have anyway? The DPRR team entertains the idea that he could have been the father of 158 BCE or even the cos of 126 BCE or the cos of 137.
We just don’t know. But could this Manius be celebrating a Marcus as ancestor? Sure even if the relationship isn’t true.