How did I end up here? I was working on the book review and found an interesting footnote on colossal statues of the Roman People and the connection (or not) to the worship of Roma as a goddess. I decided to bring myself up to speed on the scholarship on the subject and I ended up finding another footnote to the fact that Venus Victrix, Fausta Felicitas, and Genius Publicus in Capitolio all share a feast day, Oct. 9. I wondered if these three divinities shared any numismatic representations. I still don’t know the answer to that but I did stumble across this coin above showing Victory on the reverse.

The coin above was made c. 47-46 in Africa after Pompey’s death, but before Cato’s own suicide. Cato is operating independently and fighting against other Romans siding with Caesar. Yet he claims his authority to strike coins in his status as a Roman propraetor. The specimen up top is one of the nicest and the denarii tend to be carved with some care. By contrast the quinarii almost seem to be produced by amateur die engravers:

A sense of the range can be appreciated here or here. Looking at the photos of the ANS and BM specimens I wonder if the quinarii aren’t more debased. It seems they’ve aged worse and their color seems much darker. This might indicate they were made later than the denarii once the Cato’s position became more precarious. I’ll have to check what Cathy says on the subject.

Part of Cato’s claim to legitimacy seems to derive from his nearly exact copying of a regular issue of the Roman mint produced under the supervision of one of his ancestors:

The only difference between the two series comes down to PRO PR on the legend and the qualitative difference in the execution of the die carving. The 47-46 issue should be beyond my worries for the current book project but it helps concentrate the mind on certain problems. How did the engravers in Africa manage to carve dies so similar to the original issue? Did Cato happen to have a specimen with him? Of both the denarius and quinarius? Whatever for? The hairstyle of the female obverse and the seating position of the Victory on the reverse seem too complicated for a simple verbal description from memory. Did Cato anticipate needing to mint coins and so wanted to imitate the earlier type he brought them with? Were there simply enough in circulation that by chance some one found one amongst the coins with the army in Africa? The hoards tell us that the earlier type was still in circulation but certainly wasn’t the most common of types.

Then there is the problem of dating the earlier series 91-89 BC is the range usually discussed and how that is tied to who the moneyer might be and what relation he would have to the famous Cato the Younger that so carefully imitated the series. I’ve ILLed a copy of Wiseman NC 1964 to review his prosopographical notes, before seeing if I have an opinion.

Regardless of the moneyer or specific date of the earlier series, I think the paired issues provides an important reminder of the memory surrounding issues, particularly in families. I wonder if it might be worth doing a die study of the two series to see if any of those without PRO PR are actually part of the late issues. I spend a good deal of time seeing if I could say anything about there appearance in hoards. The later series appears in only 25 hoards of which 14 have specimens of the earlier series. The earlier series appears in many, many more hoards. I’m not sure that really means anything, but at least I’m starting to think with hoards and getting used to the pros and cons of working with the new database.

I also can’t help but wonder what relation if any the Bacchus on the quinarius might have to the Bacchus on the coins of the Italian Allies in Social War. Bacchus as Father Liber is often associated with popular politics.

The numismatic equivalent of archaeological stratigraphy is the overstrike — cases where an older coin is used instead of blank flan in the minting process.  When we can identify the undertype we have a precise means of identifying a chronological relationship between the two types.   However sometimes they tell other stories too…

This is a Sextans (= 1/6 of an As).   Mercury is the traditional deity indicating this denomination.  However, it is over struck on a Uncia (= 1/12 of an As; Roma in an Attic helmet is the associated divinity).   How is this possible? What is going on?

First some background about Roman weights.

This handy visual aid is from p. 28 of this great museum catalogue.  Originally the As was equal to a Roman pound which on a base 12 system divided into 12 ounces or uncia.   The as had fractions, semis (1/2 as = 6 uncia), triens (1/3 as = 4 uncia), quadrans (1/4 as =3 uncia),  sextans (1/6 = 2 uncia), and the uncia itself.  Crawford likes to use 324 grams as the conversion from modern weights to Roman pounds: it’s close enough and divides nicely by 12.  He also observes that full weight as is just about as much bronze as can comfortably fit in the palm of a hand.

So in 217 in the dark days of the 2nd Punic War with Hannibalic in Italy, Rome decides to cut the weight standard of the As in half.  That is to say they now make a coin valued as an as but weighing 1/2 a Roman pound ~ 162 grams.  Over the next six years as the war continues the weight continues to slip downwards eventually ending up with an as that weighted just 1/6 of a Roman pound, i.e. what two uncia or a sextans weighted before 217!  Not exactly the sign of a healthy economic situation.  This coin is from the intermediate stage.  It shows the Romans taking a coin that used to be valued as an uncia and revaluing the exact same piece of metal at double its original value.

This is the road that leads from an intrinsic value bronze coinage to a token bronze coinage.  The silver was not untouched by the Hannibalic War.  We can thank the same economic stressors for the creation of the denarius (10 asses!) in 211BC.  In time the denarius itself would end up retariffed at 16 asses, c. 140 BC, but that story will have to weightwait.

So we’re told by Velleius Paterculus that the colony of Narbo was founded in 118 BC and he connects this colony with other Gracchan colonies.  This coin series is taken to be minted as part of the foundation of that colony.  But everything about the historical details of this colony foundation and the relationship to coins seems a little more difficulty than most of the sources want to allow.  Some, like the New Paully, put significant weight on milestone: ILLRP 460a, CIL XVII.2, 294 (picture at fig. 2.12 here): CN Domitius CN f / Ahenobarbus / imperator / XX.  The suggestion being that in order to measure distance on the road from Narbo, the colony must already be founded, and if Ahenobarbus (cos. 122) is imperator he can’t have triumphed yet.  Did he stay in the province until as late as 117 BC?  Is that his name on the coin?  Crawford thinks it is his son (cos. 96) with L. Licinius Crassus (cos. 95) along with some other moneyers.  Why the son?

Crassus’ role is another matter.  The key passage is this:

In a close contest, he never met with his equal; and there was scarcely any kind of causes, in which he had not signalized his abilities; so that he enrolled himself very early among the first orators of the time. He accused C.Carbo, though a man of great eloquence, when he was but a youth;- and displayed his talents in such a manner, that they were not only applauded, but admired by every body. [160] He afterwards defended the [Vestal] virgin Licinia, when he was only twenty-seven years of age; on which occasion he discovered an uncommon share of eloquence, as is evident from those parts of his oration which he left behind him in writing. As he was then desirous to have the honour of settling the colony of Narbo (as he afterwards did) he thought it advisable to recommend himself, by undertaking the management of some popular cause. His oration, in support of the act which was proposed for that purpose, is still extant; and reveals a greater maturity of genius than might have been expected at that time of life. He afterwards pleaded many other causes: but his tribunate was such a remarkably silent one, that if he had not supped with Granius the beadle when he enjoyed that office (a circumstance which has been twice mentioned by Lucilius) we should scarcely have known that a tribune of that name had existed.”

It has been used to argue a later date for the founding of Narbo based on Cicero’s chronology of Crassus’ career.  Crawford strongly disagrees.  Most now seem to follow Velleius and Crawford (and Eutropius who might or might not be following the ‘authoritative’ but lost account of Livy here).  I’m more interested in how the passage hints at the ‘popular’ nature of the colonial foundation.  An idea expanded else where in Cicero where he says Crassus’ speech in support of the colony was anti-Senatorial:

But I, with respect to speeches of that sort, am guided by the authority of many men, and especially of that most eloquent and most wise man, Lucius Crassus; who—when he was defending Lucius Plancius, whom Marcus Brutus, a man both vehement and able as a speaker, was prosecuting; when Brutus, having set two men to read, made them read alternate chapters out of two speeches of his, entirely contrary to one another, because when he was arguing against that motion which was introduced against the colony of Narbo, he disparaged the authority of the senate as much as he could, but when he was urging the adoption of the Servilian law, he extolled the senate with the most excessive praises; and when he had read out of that oration many things which had been spoken with some harshness against the Roman knights, in order to inflame the minds of those judges against Crassus—is said to have been a good deal agitated.

[Same anecdote at Cic. De Orat. 2.223]

The coin itself appears militaristic showing a vicious naked Gallic Warrior.  In iconographic terms we might file it with a coin like this, which is usually thought to have been made the year before and to commemorate the Gallic victories of 121 BC and the double triumphs of Domitius and Fabius in 12o BC.  If they were in 120 BC… (see above)

Was Narbo a military foundation to defend against the menacing Gauls?  Was it part of a Gracchan vision of distributing land to the urban poor?  Was it both?

And then there is that Naked Gaul on the first coin, who Crawford doesn’t think could be King Bituitus — a bizzare figure who appears to have ended his days in Alba (Fucens?).  The literary testimony seems in knots about his relationship to the two commanders (Domitus and Fabius): the Triumphal Fasti seem to give credit to Fabius, but Val. Max. 9.6.3 has a very different story indeed.   Bituitus is probably a red herring from numismatic perspective, but a most enjoyable one.

Enough.

Final Note To Self:  Don’t forget to link the Cicero above to coins of the gens Cassii on prosecuting Vestal Virgins in some future post!

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July 5 update: After spending an extended period of time with Mattingly 1972 and 1998 as reprinted in 2004.  In 1972 he argues for a lower date on the basis of hoards and Cicero.  In 1998 his arguments are based on patterns on the coins such as types of ligature and the dispensing of ROMA as an obverse legend.  He asserts in his 2004 preface to the 1972 piece that Cn. Domitius and C. Cassius of the coins are not the consuls of 96BC and calls them ‘irrelevant’ to the dating of the Narbo founding.  He holds to a ca. 115BC date.  I find his use of hoard evidence hard to follow; his writing drowns in details and minimal articulation of the logical connections.   I am going to transcribe his dating system into the margins of my copy of RRC and hope in the process of transcription I begin to see the forest for the trees.

I did switch gears quite efficiently and spent the day revising a previous paper to present in two weeks time.  It’s all about coins, but I find myself reluctant to talk here about things I’m working out for immediate presentation else where.  I made a reference there to the memory of the Battle of Lake Regillus, saying it “…was only won by Romans through the divine intervention of the Dioscuri and the resulting treaty was one of mutual dense, protection, and collaboration.  The moral of that story is that Rome needs the Latins…”  I decided to think about whether this seemed a reasonable claim for the message behind other portrayals of the myth.  The coin above is taken to be a moment in that battle recalling the moneyer’s ancestor’s desperate act of hurling the standard amongst the enemy to motivate his men a turning pointing in the battle that is linked to human, not divine, action.

The same moneyer also minted a coin of the Dioscuri watering their horses at Lake Juturna, an image associated with the divine announcement of victory far off from the city.   This is the Dioscuri as messengers, not necessarily saviors.  These images seem most concerned with connecting the moneyer’s family with a defining moment in Rome’s legendary history.  I’m not sure I see in them any real concern about relations with Latins or greater Italy.

Afterthoughts:  It occurs to me that the second coin is in fact a form of epiphany not unlike the Sulla vision coin of the previous week.  There is a significant literature on epiphanies and that might be the correct angle to investigate.  This particular epiphany is said to explain the origins of the placement of the Temple of Castor in the forum.  It also is said to have recurred after later battles in the historical period, connecting them in magnitude and significance to the Battle of Lake Regillus.  Could any of the later epiphanies/battles be recalled by this coin as well?

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In other news SDA finished the edits and I actually got to send off the revised chapter and wipe it off the mirror.  The first accomplishment of the sabbatical!

A Lex Gabinia of 139 BC began the trend by which Roman political proceeding came to be largely held by secret ballot.  Instead of saying aloud one’s choice, voters would place their clay ballots into an urn.  Voting bridges were introduced to protect the voters from interference from the surrounding crowd.   Overtime more laws were enacted in the same spirit moving most all forms of voting (elections, legislative sessions, trials, etc..) to secret ballot.  What does this have to do with coinage you ask?

First there is the theory that this lack of ability to hold individual voters directly responsible for their actions forced members of the elite to find new ways to influence the voting and win supporters.   The idea is that the huge variation in types that one see emerge in the 130s onward is inspired by the desire of moneyers to promote themselves, their families, or their political allies in the eyes of the voting public.  Harriet Flower has taken this idea a step farther and suggested that the change voting procedure and coin output together with other factors mark the end of the republic dominated by the nobiles and heralds in a new type of republic.   She even suggest that there is pretty radical shift in the audience of the coin iconography from images previous directed to individuals outside the community to an inward target (p. 76).  I find that a challenging idea.  I would rather want to say that all the images on Roman coins were directed at both internal and external audiences.  The main function of the design is to mark the coin as Roman currency, to make it spendable — that is to identify it as legal tender.  The images accomplish that goal in any period.  The shift in images is possible because of the extension and stabilization of Roman hegemony.   The more readily familiar the denarius is the less its design needs to conform to a single type.

I am also concerned with presumption that the secret ballot was about lessening the power of the elites or their influence. I am rather taken by this recent assertion by Crawford:

If he is right that elite support for the secret ballot was an attempt to paper over growing divisions amongst the ruling classes, then the diversity of coin type would be symptomatic of those division rather than inspired by the new electioneering needs of candidates for office.  There are many problems of course with seeing coin types as directly forms of electioneering – time in circulation, slow disbursement, as well as others.

What coins can add to the discussion is the long term resonance that such legislation had.

In 51 BC C. Coelius Claudius decides to create a series explicitly commemorating the accomplishments of his eponymous ancestor the consul of 94 BC.  All the other accomplishments alluded to on the type record military victories, the traditional source of gloria for a Roman noble. [The epulum on 437/2 may be an exception but we’ll investigate that another day.]  And, yet of equal note along side the military accomplishments is the plebicite of 107 making treason trials use the secret ballot–notice the ballot behind the portrait head!   There are a number of other coins which commemorate ballots, but those can be saved too.

I’ll close by trying to contextualize Coelius’ series.  The ancestor portrait needs to be thought of as akin to the funeral imagines, ancestor masks worn by younger decedents of similar stature at family funerals.   Those masked descendants would recount accomplishments, just like the coins do.  The masks might have elogia next to them while on display in the family tabularium.  Coelius is using the coins in just same way as that familiar aristocratic ritual.   I bet Flower says something similar in her first book.  I best check…!

[There are two ANS specimens but they are a little harder to see.]

I decided to start with coins today to ensure a happy start and so I didn’t feel like I was rushing at the end of the day or stepping away from editing the chapter too soon.  I didn’t have any plan other than to open up a real book and see where coins entered the history.  Bispham mentions the coin above in relation to two Volumnii, possible cousins, who set up an in inscription (CIL i2. 1505 = CIL 10, 05971) in Signia (modern Segni) as quattorviri with jurisdictional power.  Bispham’s concern is to elucidate the nature of this local magistracy, but refers to an article by Badian which tries to grapple with Volumnii family.  While there are Volumnii of the early period attested in Livy, the family emerges suddenly in Roman politics in the 1st century BC.  The L. Volumnius Stabo who minted this coin above in 81BC is thought to be same as the military tribune of Gn. Pompeius Strabo at Asculum in 89 BC known from this inscription and also the same at Senator Volumnius mentioned by Cicero in his Letters.  Based on the Signia inscription, Badian suggests that Volumnii of the late republic acquired their Roman citizenship through serving as magistrates of this Latin Colony.

I then swapped over to thinking about Signia.  Wallice-Hadrill has a fabulous reading of the evidence from the site (p. 121-126).  Besides the giving the Roman World waterproof concrete, opus signinum, Signia is also known for its monumental building program of the late second century BC, including a temple of Juno Moneta and a nymphaeum whose architect signed is work and maybe have also build Marius’ temple to Honos and Virtus in Rome and even the sanctuary at Praeneste.  Zevi has hypothesizes a strong regional connection between these communities and the Marians.   Regardless, the building renaissance of Signia and its neighbors of which Bispham’s inscription is but further testimony, came to an abrupt halt after the Social and Civil Wars.  Think of Sulla’s sack of Praeneste just the year before this coin was struck.

That the Volumnii, or specifically one particular L. Volumnius Strabo, should be found climbing part of a cursus honorum (mit. trib., IIIvir monetales, quaestor? –> senator) at Rome right as his home(?) community is dwindling in significance is worthy of note. A community to which his ancestors had been very generous. Perhaps Signia and its neighbors waned as their elite redirected their energies toward securing recognition in Rome.  Or perhaps the elites felt compelled to move to greener pastures as the region suffered in aftermath of war.   Or a bit of both.

The meaning of the type is obscure… for now.

[Some have thought the Volumnii were Etruscan, see bibiography at Farney, p. 128 n.9]

I thought I might write about this stunning series which shows Hercules and each of the nine muses on the reverse.  I started by reading Rutledge’s Ancient Rome as a Museum but didn’t find much.  I ran some bibliographical searches and re-read amongst other things the classic Richardson article which raises more questions than it answers.  Farney connects the observe to a family connection to the Games of Apollo, but is silent on the reverse.  I then went and checked my own notes and saw that I was going to talk about it in relation to Fulvius Nobilior’s (cos. 189) temple to Heracles and Muses and the statues of the later he brought back from his conquests of the Greek East.  The theory being that the coins show those statues and the impression they made.  That’s really speculative.  We really know nothing about this coin series.  Perhaps it had better go in the introduction during a discussion of re-dating and the use of hoards.  Crawford has it as 66 BC but based on the huge Mesagne hoard Hersh and Walker redated it to 56 BC.  I used it as an opportunity to play around with searching the database I mentioned yesterday.  Mapping findspots.  Seeing the date spread of hoards.  Seeing whether types in the series are found together (they are, no surprise).  The re-dating by hoard evidence and the name pun might in the end be the best most honest history one can write from these beauties.  Though, of course, Farney’s point will get a shout out when I talk about references to ludi (games) on coins.

I decided that I’d written too much about the pretty pictures.  So as my “break” from edits today I read a chapter about whether hoard evidence can tell us if their was a monetary crisis between 54-44 BC.  Basically, it was trying to get a handle on the money supply and how to estimate coin loss.   One the most striking statements was the “Even after thirty years of shrinking the output of the eighties still made up more than a third of the money supply in circulation in 50 BCE.”  It got me thinking about whether or not I could reproduce the scholarship.  Did the numbers make sense? Where were they coming from?  How could I ever explain that to any one?  I’ve done a hoard and thus I felt I knew hoards but I haven’t ever really done HOARDS plural in my own research.  Where to start?  To my incredible delight Kris Lockyear and the ANS have teamed up to make Crawford’s research and all Lockyear’s additional work digitizing new material and Crawford’s files accessible TO EVERYONE — CHRR Online.  No digital glass ceiling here!  Just beautiful, beautiful data.  I’m just getting started navigating it and trying to figure out its potential.  Thus I picked a hoard with early coins, Herdade da Milia, but I found it by searching by coin type not for the specific hoard.  The coin up top is the type of the earliest identified coin in this hoard (not the exact specimen).  The latest identified coin type is of this type (again not the exact specimen):

[A wild image I’m going to resist writing about.] This dates to 113 BC-112 BC and if you click on the hoard link above there are some fun distribution graphs on a time line.  That said the official closing date of this hoard is listed at 31 BC.  That’s a head scratcher…  Until one notes that there are 16 unidentified denarii in the hoard that could have been made any time between 211 B.C. – 31 B.C., the whole run of the republican series.  We do need to allow for some of those 16 coins to be later than 112 BC, but the distribution of the coins in the hoard needs to also have some weight.  When using this type of hoard in analyses we should begin by comparing it to others closing in the last decade or so of the 2nd century BC.

I came home in awe of the presenter’s PowerPoint skills.  It was a visually stunning two hour talk and was googling around for an image of a fun trishekel minted by the Carthaginians in Spain, the one with the diademed head and a ship prow.  I thought I’d write about that.   No reason other than it captivated my imagination.  But in my digging, I ended up here.  I was about to move on as I’m trying to avoid images not in museum collections on this blog as much as possible, but I was struck by the similarity of the reverse of HN Capua 494:

 

To a coin of about 56 BC minted by Sulla’s son (same series as the first coin in the last coin post):

So I started searching for Selene or Luna on Roman Republican coins to find the Faustus coin and any relevant predecessors.  The Faustus coin was entered as Diana so didn’t appear, but it did return the lead coin above–a spectacular image of Luna appearing Sulla in a Dream, a story known from Plutarch.  The BOOK as approved by my publisher and series editor ends in 49 BCE.  This epiphany coin playing on the Endymion/Selene iconography dates to 44 BC.  That said, it directly contextualizes the Diana in a biga coin by demonstrating a contemporary awareness of the Plutarch narrative.  I think I better include it.  The Capua coin is also likely to make an appearance as it strengthens Crawford’s suggestion that the divinity on the coin should be linked this passage:

“It was while Sulla was ascending Mount Tifata that he had encountered Gaius Norbanus. After his victory over him he paid a vow of gratitude to Diana, to whom that region is sacred, and consecrated to the goddess the waters renowned for their salubrity and water to heal, as well as all the lands in the vicinity. The record of this pleasing act of piety is witnessed to this day by an inscription on the door of the temple, and a bronze tablet within the edifice.”

Mount Tifata directly overlooks Capua.  The temple of Diana Tifatina still stands, at least in part, as the Basilica di Sant’Angelo in Formis.  I find no need to choose between the Plutarch or the Velleius narrative.  Diana, Luna, Selene, Artemis, we are still firmly in the realm of moon goddesses.  There is no meaningful iconographic distinction in the coins.

 

 

 

 

I sat in on a seminar on Cistophoric Coinage today.  I had learned most of what was presented along the way or had read about it in books, but there is something so nice in being talk through a topic, show the pictures, and handling the coins.  I creates grooves in ones mind and one sees the image anew.  Some of what I saw got me thinking about the coin above.  Not that it looks anything like a Cistophoric coinage.  Look at the reverse (“tails” side).  (I’ve turned it around.)

On the bottom left corner of this is image is something called an aplustre, the stern decoration of an ancient ship:

The coin is made by Sulla’s son, Faustus, who at the time of its manufacture was quite close to Pompey and these images are widely accepted as celebrating Pompey’s various accomplishments with the aplustre representing his clearing the seas of pirates.  That’s not controversial.  It’s just that before this aplustre aren’t known on the republican series.  There are plenty of aplustre on various greek coinages.  For example its often on the observe (“heads” side) the coins of Sinope (e.g. SNGuk_0901_1463)

Or even better this beauty:

But, sitting in the lecture today I was struck by how prominent (at least to my eye) the decoration on the bow case of the typical cistophori seemed to resemble an aplustre.

Here’s one that looks more like a bow case:

But many look more like this:

or like this:

Stylized bow case or an actual aplustre?  I don’t know.  Is there any reason for naval symbolism on late Attalid coinage?  I do think that many ancient viewers would see an apulstre before they saw a bow case. I’m not the first to think this.  The BMC catalogue recorded the image as an aplustre, but the description has fallen out of favor along the way.  Want a look at the whole group? This is a good starting place.  So does it relate to Faustus’ coin probably not through an sort of intentional symbolicalism, but cistophori might have been just about the most common aplustre type of coin imagery the creators and uses of the coins may have handled.

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Both of the bibliographical difficulties from earlier have been cleared up!  Thank goodness for academic friends.