Contemplative War Goddesses

File:Acropole Musée Athéna pensante.JPG

One difference (besides the birds) between the Vespasian restoration and the Republican original discussed the other day  is certainly the posture of the goddess Roma herself.  On the imperial aurei she sits erect with a shorter scepter.  On the republican denarii she leans forward and the spear extends far over her shoulder.   She lets it take her weight.  Her arm which holds it rests on her thigh.  Her gaze is seems full occupied by scene before her.   She is at rest, almost a mournful pose, certainly a contemplative one.  In that, it strongly reminds me of the above Greek relief from Athens in the Acropolis Museum.

The gem, an imprint of which can be seen here: http://arachne.uni-koeln.de/item/marbilder/2688807, does not have the same contemplative pose.  Like on the aurei she sits upright holding her scepter instead of letting it hold her.   The birds are intermittent.  [A. Furtwängler, Beschreibung der geschnittenen Steine im Antiquarium, Königliche Museen Berlin (1896) Cat. no. 9561.]

There is also this gem [http://arachne.uni-koeln.de/item/marbilder/2688808] with Roma and wolf and twins plus tree and Victory, over all a very different composition.

 

229 out of 410 days: Picus Martius

Linneaus that great classifier of living things called this woodpecker Picus Martius, the Black Woodpecker as it’s generally known.   Its modern scientific name is Dryocopus Martius, picus now being used for another genus of the woodpecker family.

But for the classicist the Picus Martius is an important bird.  Ovid puts Mars’ bird, the woodpecker, as a defender of Romulus and Remus on par with the wolf.  (You’ll notice a theme running over the last few posts…)  Pliny has lots of fabulous anecdotes about the bird and its importance in auguries and how it will defend certain flowers or how its beak can be worn as a charm against wasps.  Among other things at NH 11.123 it is described as having a tufted head.

…per medium caput a rostro residentem et fulicarum generi dedit,cirros pico quoque Martioet grui Balearicae, sed spectatissimum insigne gallinaceis, corporeum, serratum…

Not – to be sure – an uncommon trait for woodpeckers and one can see why Linneaus thought the Black Woodpecker a good candidate for Mars’ totemic bird.  I’m sure I’m not the first to deduce this, but I think this is the more likely candidate:

File:Picus viridis sharpei 039.jpg

Today, this beauty is the Picus Viridis or European Green Woodpecker.  The first reason I came to this conclusion was largely based on typical range of the two birds.  The Black is rarely spotted below the Appenines today, where as the Green is known throughout the Italic Peninsula.  Then there is this bit of Virgil:

There Picus, the Horse-Tamer, sat, holding the lituus, the augur’s

Quirinal staff, and clothed in the trabea, the purple-striped toga,

and carrying the ancile, the sacred shield, in his left hand,

he, whom his lover, Circe, captivated by desire, struck

with her golden rod: changed him with magic drugs

to a woodpecker, and speckled (sparsit) his wings with colour.

Of course how do we know that this Picus is Martius Picus?  Well this seems likely from Servius’ commentary:

fabula autem talis est. Picum amavit Pomona, pomorum dea, et eius volentis est sortita coniugium. postea Circe, cum eum amaret et sperneretur, irata eum in avem, picum Martium, convertit: nam altera est pica. hoc autem ideo fingitur, quia augur fuit et domi habuit picum, per quem futura noscebat: quod pontificales indicant libri. bene autem supra ei lituum dedit, quod est augurum proprium: nam ancile et trabea communia sunt cum Diali vel Martiali sacerdote.